The floor was planked with oak, and covered with iron staples, hooks, and ringbolts, with heavy chains attached to them. Abruptly would come the end. “You are in trouble,” he said. Unlocking it, he entered the chamber, which by no means belied its external appearance. “It is a great art,” she said in broken English. But I shall lose my wager if I stay a moment longer—so here goes. It was a refusal of expediency, he said, and not an absolute refusal.
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