In the second, she was wretchedly poor, and assailed by temptations of which you can form no idea. She was only a few yards from the door, but lacked the courage to rise and fly. He loved the sea, and could give a good account of himself in any weather. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. It now came to him with an added thrill how well she had told her story; simply and directly, no skipping, no wandering hither and yon: from the first hour she could remember, to the night she had fled in the proa, a clear sustained narrative.
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