She heard the bamboo curtain rattle slightly. “You go home and think of all this,” he said, “and talk about it to-morrow. 47 was no more than a sort of railway compartment on the way to that. I’m damaged goods. To recreate the era, I deliberately tried to avoid creating a thinly disguised bodice ripper where an “empowered” woman mouthed off to prospective suitors in jerkins and tights, in other words, a typical romance novel. She would marry him.
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